prOtOcOls nOn vernissage samedi 7 juin 18-21h à Galerie Richard (Paris)

prOtOcOls nOn vernissage samedi 7 juin 18-21h à Galerie Richard (Paris)

prOtOcOls nOn est une exposition de huit toiles sur velours issues de la manipulation esthétique de l’imagerie corporelle intime, traitée par la création unique d’un logiciel de vie artificielle.

Le titre de l’exposition insiste sur la dimension immédiate et spontanée du rapport au corps, au cosmos. L’image est modifiée par l’intervention d’un virus informatique présent visuellement qui détruit et recompose l’image. Ces peintures à la fois figuratives et abstraites, microscopiques et macroscopiques, et dont l’échelle centrale serait celle du corps, nous font partager une approche panthéiste du monde. Le support d’impression, un tissu velours, apporte un aspect mat et satiné, sensuel.

à Galerie Richard
74, rue de Turenne 75003 Paris
tel: 01-43-25-27-22
e-mail: paris@galerierichard.com

WWW.GALERIERICHARD.COM

Horaires d’ouverture: du mardi au vendredi de 14h à 19h et le samedi de 11h à 19h
Metro : Saint-Sébastien Froissard (ligne 8), Saint-Paul (ligne 1). Bus : 20, 29, 56, 65, 69, 76, 96

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About josephnechvatal

Since 1986 Joseph Nechvatal has worked with ubiquitous electronic visual information, computers and computer-robotics. His computer-robotic assisted paintings and computer software animations are shown regularly in galleries and museums throughout the world. From 1991-1993 he worked as artist-in-resident at the Louis Pasteur Atelier and the Saline Royale / Ledoux Foundation’s computer lab in Arbois, France on The Computer Virus Project: an experiment with computer viruses as a creative stratagem. In 2002 he extended that artistic research into the field of viral artificial life through his collaboration with the programmer Stéphane Sikora. Dr. Nechvatal earned his Ph.D. in the philosophy of art and new technology at The Centre for Advanced Inquiry in the Interactive Arts (CAiiA) University of Wales College, Newport, UK and occasionally teaches at the School of Visual Arts in New York City (SVA). His book of essays “Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality (1993-2006)” was published by Edgewise Press in 2009. In 2011 his book “Immersion Into Noise” was published by the University of Michigan Library’s Scholarly Publishing Office in conjunction with Open Humanities Press http://openhumanitiespress.org/immersion-into-noise.html. You can follow him on Twitter at @twinkletwink Homepage here: http://www.nechvatal.net
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