Viruses in Hungary by Délia Vékony

viral castratO image

Viruses in Hungary 

By Délia Vékony (Art Historian)

The exhibition viral castratO by American artist Joseph Nechvatal, hosted by Budapest Art Factory (on view from Sept. 8- Oct. 4, 2015) is taking place in Budapest, Hungary in times highly sensitive for symptoms viruses of any kind can possibly cause. Nechvatal’s installation, a digital work in which computer viruses consume digital paintings has a universal reference to change, chance, disturbance of order and the uncanny.

viral castratO installation (front view))

viral castratO installation (front view))

viral castratO installation (side view)

viral castratO installation (side view)

Yet, the piece can also be understood within the light of the current socio-political framework in which thousands of migrants, mostly from Syria arrive to Hungary weekly. They intend to cross the country and head to Germany and other northern countries in hope for a better future. For having any future at all, to be precise.

In spite of the hardships these people go through to arrive to Europe alive, by many they are seen as an infection on the body of the continent. Nonetheless, they are at our borders and no matter how many fences are erected, they are coming in and wanting to move on. Although the EU allocates considerable sums for dealing with the current migration crisis, there is not a consensual decision about what to do with the crowds arriving. Hungary is reluctant to claim any responsibility, but other EU countries also keep on changing their attitude. Although Europe is obviously not ready for accepting so many people looking for a new life, it is striking to see that migrants are looked upon as viruses that are here to invade the mother-body. Instead of thinking of them as change that could result in new, refreshing heterotopias, in new bodies that might be the alteration and reshaping of the old, anachronistic order, these people are seen as infectious disease, here to pollute and destroy. Surely if mother-body Europe is not learning to ‘mutate’ and adjust to this change, it shall die a painful death while resisting.

viral castratO installation

viral castratO installation


About josephnechvatal

Since 1986 Joseph Nechvatal has worked with ubiquitous electronic visual information, computers and computer-robotics. His computer-robotic assisted paintings and computer software animations are shown regularly in galleries and museums throughout the world. From 1991-1993 he worked as artist-in-resident at the Louis Pasteur Atelier and the Saline Royale / Ledoux Foundation’s computer lab in Arbois, France on The Computer Virus Project: an experiment with computer viruses as a creative stratagem. In 2002 he extended that artistic research into the field of viral artificial life through his collaboration with the programmer Stéphane Sikora. Dr. Nechvatal earned his Ph.D. in the philosophy of art and new technology at The Centre for Advanced Inquiry in the Interactive Arts (CAiiA) University of Wales College, Newport, UK and occasionally teaches at the School of Visual Arts in New York City (SVA). His book of essays “Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality (1993-2006)” was published by Edgewise Press in 2009. In 2011 his book “Immersion Into Noise” was published by the University of Michigan Library’s Scholarly Publishing Office in conjunction with Open Humanities Press You can follow him on Twitter at @twinkletwink Homepage here:
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