Monthly Archives: June 2017

My art review of Alia Farid’s show Between Dig and Display at Galerie Imane Farès (Paris) https://hyperallergic.com/387000/a-kuwaiti-artist-contemplates-the-failure-of-a-museum-that-never-opened/

Photographs of me at work in the Paris studio by Alexandra Breznay

BIRTH AS CRITERION by Jure Detela as translated by Raymond Miller God puts to the test, not I. I only verify what has been reported. In God there is no doubt, there is no malice. The starry child of Lappish legend— … Continue reading →

My Hyperallergic review of Alun Williams’s show of paintings: For the Selenites Pleasure at Galerie Anne Barrault (Paris) https://hyperallergic.com/385375/paintings-in-which-splotchy-blobs-stand-in-for-historical-figures/

My art review at Hyperallergic of Lucio Fontana : Crosses at Galerie Karsten Greve (Paris) https://hyperallergic.com/384598/lucio-fontanas-psychedelic-ceramic-crucifixes/

Photos from the opening of the exhibition Body Esc – where my Cyclops (piano eye) projection was shown. The show was integrated in the program of the conference Taboo-Transgression-Transcendence in Art & Science – part of the 11th Audiovisual Arts … Continue reading →

My art review of the Franck Lundangi : Dialogues show at Galerie Anne de Villepoix (Paris) has been published at Hyperallergic https://hyperallergic.com/384099/shamanistic-paintings-as-metaphors-for-connectedness/