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Recent Posts
- Online video documenting the entire Centre Pompidou XS: The Opera Opus: An Operatic Transvaluation of No Wave Aesthetics by Joseph Nechvatal and Rhys Chatham event
- XS: the Opera (1984-1986)
- My historical review / noise music theory paper on the intonarumori noise music machines of Futurist painter/composer Luigi Russolo published in PULSE: the Journal of Science and Culture VOLUME 9
- NO WAVE Audiometric radio show Vol. 3 curated by Joseph Nechvatal & Black Sifichi
- Cashmere radio show (with Joseph Nechvatal interview) celebrating the No Wave exhibition Who You Staring At? at the Centre Pompidou Paris
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Monthly Archives: February 2019
Review of Percy Rainford: Duchamp’s “Invisible” Photographer
My book review of Percy Rainford: Duchamp’s “Invisible” Photographer by Michael R. Taylor has been published at Hyperallergic here https://hyperallergic.com/486277/bringing-back-from-obscurity-a-jamaican-photographer-who-worked-with-duchamp/
Posted in Art & Art Theory
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Book review of Gary Indiana’s Vile Days: The Village Voice Art Columns 1985–1988
Vile Days: The Village Voice Art Columns 1985–1988 by Gary Indiana, edited by Bruce Hainley, Semiotext(e) 2018, $29.95, 596 pages, hardcover A shorter version of this review was published at Hyperallergic as Gary Indiana’s Helter-Skelter Prose Experiments here: https://hyperallergic.com/483811/gary-indianas-helter-skelter-prose-experiments/ In the … Continue reading
Posted in Art & Art Theory
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Hyper-Noise Aesthetics 