Monthly Archives: July 2022

Joseph Nechvatal Turning the Viral Tempest  (Tournant de la tempête virale) Galerie Richard 74, rue de Turenne 75003 Paris September 3rd – October 22nd, 2022 “An invisible circulating virus has humbled our powers of perception. Its human-to-human transmission essentially steers culture … Continue reading →

My Victory Over a Black Flag (1983) 9×12in graphite on paper drawing has been sold to Alan W. Moore (Milwaukee) at Artsy. Provenance: The Adam Baumgold Gallery in NYC.

July 12th, 2022, from 16.00 – 17.00, I presented a Tellus Audio Cassette Magazine playback session at the Approaching Downtown: Avant-Garde Cultural Production in New York City, 1970s – 1990s seminar at The Courtauld Institute of Art in London. TELLUS … Continue reading →

My review of the restoration of Mathias Grünewald’s Isenheim Altarpiece at the Musée d’Unterlinden in Colmar France has been published at Whitehot Magazine of Contemporary Art here: https://whitehotmagazine.com/articles/restoration-isenheim-altarpiece/5460

my 4:33 audio track naked nOise carnival (2022) has been published on the ASSEMBLAGE EFFECTS compilation project that was issued July 7th 2022 by the Institute For Alien Research in Bath, UK on bandcamp here: https://ifarmusiqueconcretecompilation.bandcamp.com/track/naked-noise-carnival

The Church of Noisy Goat re-release of my 1985 audio collage cassette tape True and False has been selected as one of The Best Experimental Music projects on Bandcamp by Marc Masters here: https://daily.bandcamp.com/best-experimental/the-best-experimental-music-on-bandcamp-june-2022 ~ Marc Masters writes: The work of Joseph Nechvatal encompasses … Continue reading →